9. 6. 2025
At the prestigious Les Nuits Lyriques de l’Hippodrome festival in Côte d’Azur, Czech soprano Lada was awarded the first prize – Le Grand Prix de la Voix. The final competition featured 30 participants from across Europe, with Lada’s outstanding performance distinguishing her among the contestants and earning the recognition of the international jury.
The award ceremony took place under the stars and attracted prominent figures from the European classical music scene. Le Grand Prix de la Voix is presented annually to performers who make exceptional contributions to the world of opera and classical music.
The Les Nuits Lyriques de l’Hippodrome festival is one of the highlights of the summer cultural season on the French Riviera. Each year, it hosts leading singers, conductors, and musicians from across Europe, presenting audiences with the finest operatic performances.
28. 5. 2025
Last week, Lada shone in a new production of Verdi’s La Traviata at the Magdeburg Opera, where she received a standing ovation for her captivating portrayal of Violetta. The production’s direction was marked by visual poetry and subtle symbolism, which underscored the tragic beauty of Verdi’s work.
17. 4. 2025
After the premiere of La traviata, according to critics, Lada is called a ”singing goddess looking like Monica Bellucci” – Kultura21 or ”a mature and sought-after prima donna in the best sense of the word” – KlasikaPlus.
7. 4. 2025
After debuting Violetta at the Teatro Lirico Sperimentale across theatres in Umbria a few years ago, Lada will return to her in a new production at the Moravian Theatre in Olomouc. The premiere will be on April 12, 2025.
16. 9. 2024
Soprano Lada Bočková received a nomination for this year’s Thalia Award for her title role in the opera The Cunning little Vixen at the Antonin Dvorak National Theater in Ostrava!
10. 9. 2024
”The crown jewel is – of course! – Lada Bočková’s magical vixen. With her delightful soprano, she gives the poor animal gentleness, agility and sometimes wit and invites the audience to suffer, cry, love and laugh with the main role.
Together with the fox, played by Emilie Renard, she delights the audience at the end of the first half with a playful, romantic and gentle duet that has rarely been heard so beautifully on stage. Renard and Bočková create a touching tenderness for these two tragic characters and captivate even the last spectator.” Lena Schubert
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